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1 - 8 out of 19 [3 pages]  [1] [2] [3] prev

composer title scoring
Anonymous El piove? Mo lasa piovere impara pur ti
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale
?  v. 1.00
?  STB
?  Recorder friendliness: Recorder friendliness
  Incipit  
Anonymous J'ay prins amours (1)
?  v. 1.00
?  STB
?  Recorder friendliness: Recorder friendliness
notes     live performance  

This three-voice anonymous chanson composed in the XV century was arranged several times in the early Renaissance.
Anonymous J'ay prins amours (2)
?  v. 1.00
?  STB
?  Recorder friendliness: Recorder friendliness
notes  

The Bass line bears original divisions.
Caron, Firminus
(flourished c. 1460-75) 		Adieu fortune
source: Cod. 2856 (c. 1480-90). Manuscript preserved in Rome: Biblioteca Casanatense
?  v. 1.00
?  STB
?  Recorder friendliness: Recorder friendliness
1 Finale Credit
  Incipit  
Ghiselin, Johannes
(flourished 1491 - 1507)   ? 		O florens rosa
source: Motetti A. Numero trentatre (Venice 1502)
?  v. 1.00
?  STB
?  Recorder friendliness: Recorder friendliness
  Incipit  
Isaac, Heinrich
(c. 1450 - 1517)   ? 		Fortuna desperata
?  v. 1.00
?  STB
?  Recorder friendliness: Recorder friendliness
Locke, Matthew
(c. 1622 - 1677)   ? 		21. Pavan
source: Little Consort of Three Parts (London 1656)
?  v. 1.00
This piece will be moved to the Premium Area (yellow background) in 131 days
?  STB
?  Recorder friendliness: Recorder friendliness
1 Finale Credit
notes     Incipit  

The bass line of these trios seldom fits a bass recorder. They would be better played by bass instruments, such as a viol or a basson, with or without the accompaniment of a harmonic instrument. Despite these considerations, we have tried anyway to adapt the bass line to a bass recorder.
Locke, Matthew
(c. 1622 - 1677)   ? 		22. Ayre
source: Little Consort of Three Parts (London 1656)
?  v. 1.00
This piece will be moved to the Premium Area (yellow background) in 141 days
?  STB
?  Recorder friendliness: Recorder friendliness
1 Finale Credit
notes     Incipit  

The bass line of these trios seldom fits a bass recorder. They would be better played by bass instruments, such as a viol or a basson, with or without the accompaniment of a harmonic instrument. Despite these considerations, we have tried anyway to adapt the bass line to a bass recorder.
composer’s surname nationality century Period Kind of comp. ? recorders other instruments Recorder friendliness