At end of this series of five ballets there is the composer’s initials «C.v.E».

At end of this series of five ballets there is the composer’s initials «C.v.E».

At end of this series of five ballets there is the composer’s initials «C.v.E».

At end of this series of five ballets there is the composer’s initials «C.v.E».

At end of this series of five ballets there is the composer’s initials «C.v.E».

At top of this series of four ballets there is the composer’s initials «B.F.d.B.».

At top of this series of four ballets there is the composer’s initials «B.F.d.B.».

At top of this series of four ballets there is the composer’s initials «B.F.d.B.».

At top of this series of four ballets there is the composer’s initials «B.F.d.B.».

With descant divisions by Jacob van Eyck (c. 1589 - 1657).

The lower voice was conceived for violins, but can be easily adapted for a Tenor Recorder. The alternative part is included in the PDF file, as well as the original score.

This balletto – originally conceived for two violins – can be played with two descant recorders as it is. Furthermore, the PDF file contains the adaptation for a bass recorder of the Bass part.
The continuo may be omitted from the performance.

This balletto – originally conceived for two violins, viola and bass instrument – can be played by a SSAB group of recorders just making small adjustments to the lower parts. The PDF file contains both the transcriptions of the original parts and the adaptations of the lower parts for a treble and a bass Recorder.
The continuo may be omitted from the performance.

The PDF file contains both the score following the original version and the adaptation for recorders.
The continuo may be omitted from the performance.

The PDF file contains both the score following the original version and the adaptation for recorders.
The continuo may be omitted from the performance.