|
|
|
|
If you do not log in, you will be not able to access any contents. Log in here:
Forgot your password or your username? Enter your username or your email address and click this link
| this is a free sample of our files | ||
| Abel, Karl Friedrich (1723 - 1787) ? |
Quartetto
source: Ms. IV, 32. Manuscript preserved in Copenhagen: Gieddes samling, Royal Library
| A (Violin, Viola, Violoncello)
? Recorder friendliness:
|
So far, published 1765 pieces of music
Latest month entries listed in chronological order (most recent first)
| composer | title | scoring |
| entry added or modified today | ||
|
Telemann, Georg Philipp (1681 - 1767) ? |
Canon à 3 in Hypodiapente et Hyperdiatessaron par feu Mr. Schmidt, Maître de Chapelle
? v. 1.00
|
? ATB ? Recorder friendliness:
|
| notes Incipit | ||
|
Telemann attributes this canon to «Mr. Schmidt, Maître de Chapelle»; perhaps he could be identified as Johann Christoph Schmidt (1664 - 1728).
|
||
| entry added or modified on 2010-03-09 | ||
|
Joplin, Scott (c. 1867 - 1917) ? |
The Entertainer, A Rag Time Two Step
? v. 1.20
|
? SATB (Keyboard ad libitum) ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-03-09 | ||
|
Telemann, Georg Philipp (1681 - 1767) ? |
Trio a 2 Flauti dolci in C major - TWV 42:C1
? v. 1.00
|
? AA (Bc) ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-03-08 | ||
|
Vivaldi, Antonio (1678 - 1741) ? |
Sonata a Flauto Traverso in D minor (G minor), RV 49 (RV Anh. 99)
source: IMhs 79:3. Manuscript preserved in Uppsala: Universitetsbiblioteket
? v. 1.00
|
? A (Bc) ? Recorder friendliness:
|
| notes Incipit | ||
|
All the files contain both the original version in D minor and the transposed version for treble recorder in G minor.
|
||
| entry added or modified on 2010-03-07 | ||
|
Locke, Matthew (c. 1622 - 1677) ? |
26. Pavan
? v. 1.00
|
? STB ? Recorder friendliness:
|
| notes Incipit | ||
|
The bass line of these trios seldom fits a bass recorder. They would be better played by bass instruments, such as a viol or a basson, with or without the accompaniment of a harmonic instrument. Despite these considerations, we have tried anyway to adapt the bass line to a bass recorder.
|
||
| entry added or modified on 2010-03-06 | ||
|
Locke, Matthew (c. 1622 - 1677) ? |
2. Ayre
? v. 1.00
|
? SSB ? Recorder friendliness:
|
| notes Incipit | ||
|
The bass line of these trios seldom fits a bass recorder. They would be better played by bass instruments, such as a viol or a basson, with or without the accompaniment of a harmonic instrument. Despite these considerations, we have tried anyway to adapt the bass line to a bass recorder.
|
||
| entry added or modified on 2010-03-05 | ||
|
Cerreto, Scipione (c. 1551 - c. 1633) |
Contraponto osservato fatto sopra canto figurato co' la parte del basso (XVII duo out of 37), «Occhi benigni»
? v. 1.00
|
? SB ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-03-04 | ||
|
Demantius, Christoph (1567 - 1643) ? |
3. [Fuga] in homophonia post brevem
? v. 1.00
|
? CC ? Recorder friendliness:
|
| notes Incipit | ||
|
Canon at the unison after a breve. In the rubric, the breve value is represented by the actual note head.
|
||
| entry added or modified on 2010-03-03 | ||
| traditional | La Biondina in Gondoletta (2)
? v. 1.00
|
? SSB ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-03-02 | ||
| Anonymous | Sine nomine
? v. 1.20
|
? SATB ? Recorder friendliness:
|
| notes Incipit Youtube Video | ||
|
With descant divisions.
|
||
| entry added or modified on 2010-03-02 | ||
| Anonymous | Basse dance (3)
? v. 1.00
|
? STTB or SAAB ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-03-01 | ||
|
Vivaldi, Antonio (1678 - 1741) ? |
Suonata a 2. Flauto e Fagotto in A minor, RV 86
source: Giordano 31, ff. 340-46. Manuscript preserved in Turin: Biblioteca Nazionale Universitaria
? v. 1.50
|
? A (Bassoon, Bc) ? Recorder friendliness:
|
| Incipit Youtube Video | ||
|
||
| entry added or modified on 2010-03-01 | ||
|
Banchieri, Adriano (1568 - 1634) ? |
3. Cantate Domino canticum novum
source: La Banchierina (Venice 1623)
? v. 1.00
|
? SA or TB ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-28 | ||
|
Valentine, Robert (1674 - c. 1735) ? |
Sonata VI in C major
? v. 1.00
|
? A (Bc) ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-27 | ||
|
Barsanti, Francesco (1690 - 1772) ? |
Corn riggs are bonny
source: A collection of old Scots tunes with the bass for violoncello or harpsichord (Edinburgh [1742])
? v. 1.00
|
? C (Bc) ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-26 | ||
|
Locke, Matthew (c. 1622 - 1677) ? |
25. Pavan
? v. 1.00
|
? STB ? Recorder friendliness:
|
| notes Incipit | ||
|
The bass line of these trios seldom fits a bass recorder. They would be better played by bass instruments, such as a viol or a basson, with or without the accompaniment of a harmonic instrument. Despite these considerations, we have tried anyway to adapt the bass line to a bass recorder.
|
||
| entry added or modified on 2010-02-25 | ||
|
Woodcock, Robert (1690 - 1728) |
Concerto IV in B minor
? v. 1.00
|
? DD (Strings, Bc) ? Recorder friendliness:
|
| Incipit Video Incipit | ||
|
||
| entry added or modified on 2010-02-24 | ||
|
Banchieri, Adriano (1568 - 1634) ? |
2. Il tempo vola e se ne fuggon gl'anni
source: La Banchierina (Venice 1623)
? v. 1.00
|
? ST ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-23 | ||
|
Demantius, Christoph (1567 - 1643) ? |
2. [Fuga] in hypodiapason post tempus
? v. 1.00
|
? ST ? Recorder friendliness:
|
| notes Incipit | ||
|
Canon at the octave below after a breve.
|
||
| entry added or modified on 2010-02-22 | ||
| Anonymous | Basse dance (2)
? v. 1.00
|
? STTB or SAAB ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-21 | ||
|
Cerreto, Scipione (c. 1551 - c. 1633) |
Contraponto osservato fatto sopra canto figurato con la parte del contralto sopra quel del tenore dell'istesso madrigale (XVI duo out of 37), «Fammi pur guerr'Amor»
? v. 1.00
|
? SA or TB ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-20 | ||
|
Call, Leonhard von (1767 - 1815) ? |
7. Polonoise
source: Serenade pour Violoncelle ou Flute et Guitarre. Op. 84 (Vienna s.d.)
? v. 1.00
|
? A (Guitar) ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-19 | ||
|
Dieupart, Charles (post 1667 - c. 1740) ? |
2e Suitte in D major (C major)
? v. 1.00
|
? V (Bc) ? Recorder friendliness:
|
| notes Incipit | ||
|
Besides the violin – which seems to be the first choice – and the transverse flute, these six suites may be played on two different sizes of recorders; the first four on a «flute de voix» and the last two on a «flute de quatre». The voice flute is a recorder in D – tuned a tone above the common tenor recorder, while the fourth flute is a recorder in Bb, hence tuned a tone below the common descant (soprano) recorder. The name of the latter shows that the treble (alto) recorder was always the pivot of the recorder family, since «fourth» or «quatre» underlines that a Bb recorder was tuned four notes apart from the common treble recorder. Hence, we have a fifth recorder (the common descant in C) and also a sixth one (recorder in D), the latter very popular in England at the beginning of the 18th century.
|
||
| entry added or modified on 2010-02-18 | ||
|
Locke, Matthew (c. 1622 - 1677) ? |
1. Pavan
? v. 1.00
|
? SSB ? Recorder friendliness:
|
| notes Incipit Video Incipit Youtube Video | ||
|
The bass line of these trios seldom fits a bass recorder. They would be better played by bass instruments, such as a viol or a basson, with or without the accompaniment of a harmonic instrument. Despite these considerations, we have tried anyway to adapt the bass line to a bass recorder.
|
||
| entry added or modified on 2010-02-17 | ||
|
Locke, Matthew (c. 1622 - 1677) ? |
24. Saraband
? v. 1.00
|
? STB ? Recorder friendliness:
|
| notes Incipit | ||
|
The bass line of these trios seldom fits a bass recorder. They would be better played by bass instruments, such as a viol or a basson, with or without the accompaniment of a harmonic instrument. Despite these considerations, we have tried anyway to adapt the bass line to a bass recorder.
|
||
| entry added or modified on 2010-02-16 | ||
|
Handel, George Frideric (1685 - 1759) ? |
Trio Sonata in C minor, HWV 386a
? v. 2.00
|
? A (Violin, Bc) ? Recorder friendliness:
|
| notes Incipit | ||
|
Despite the original rubric of the manuscript, this scoring seems to have been conceived for a treble recorder rather than a transverse flute.
|
||
| entry added or modified on 2010-02-16 | ||
| traditional | La Biondina in Gondoletta (1)
? v. 1.00
|
? C (Piano or Harp ) ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-15 | ||
|
Barsanti, Francesco (1690 - 1772) ? |
The last time I came o'er the moor
source: A collection of old Scots tunes with the bass for violoncello or harpsichord (Edinburgh [1742])
? v. 1.00
|
? C (Bc) ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-14 | ||
| Anonymous | Basse dance (1)
? v. 1.00
|
? STTB or SAAB ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-13 | ||
|
Sammartini, Giuseppe (1695 - 1750) ? |
Trio Sonata III in G major (F major)
? v. 1.00
|
? GG or AA (Bc) ? Recorder friendliness:
|
| notes Incipit | ||
|
The original score, in G major, works well for two recorders in G. For this reason our files contain also a transposed version in F major that suits better two treble recorders. Nonetheless, the original score may be seamlessly played on two treble recorders as well.
|
||
| entry added or modified on 2010-02-12 | ||
|
Carulli, Ferdinando (1770 - 1841) ? |
Solfège 56
source: Solfèges et vocalises. Trosième Partie: Solfège Progressif dans tous les tons, et dans toutes les mesures, op. 195 (Paris 1826)
? v. 1.00
|
? C (Guitar) ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-12 | ||
|
Vivaldi, Antonio (1678 - 1741) ? |
Concerto III. Il Gardellino in D major, Op. X, No. 3, RV 428
? v. 2.00
|
? G or A (Strings, Bc) ? Recorder friendliness:
|
| notes Incipit | ||
|
This concerto derives from RV 90 and was intended for a transverse flute too; nevertheless, since the flute’s range is quite high and there is just a few passages descending below G3 in the «Tutti» sections only, it could be successfully played by a Recorder in G. The PDF file also contains a transposed version of the recorder part a tone down to facilitate the performance on a recorder in G.
|
||
| entry added or modified on 2010-02-11 | ||
|
Telemann, Georg Philipp (1681 - 1767) ? |
Fantasia III in B minor (D minor)
? v. 1.10
|
? A ? Recorder friendliness:
|
| notes Incipit | ||
|
The PDF file contains both the original version for transverse flute and the adaptation for recorder.
|
||
| entry added or modified on 2010-02-11 | ||
|
Telemann, Georg Philipp (1681 - 1767) ? |
Fantasia VIII in E minor (G minor)
source: Fantasie per il violino senza basso (c. 1727)
? v. 1.20
|
? A ? Recorder friendliness:
|
| notes Incipit | ||
|
The PDF file contains both the original version for transverse flute and the adaptation for recorder.
|
||
| entry added or modified on 2010-02-11 | ||
|
Vecchi, Orazio (1550 - 1605) |
Tibrina, bella Tibrina
? v. 1.00
|
? SSAATB ? Recorder friendliness:
|
| Incipit | ||
|
||
| entry added or modified on 2010-02-10 | ||
|
Demantius, Christoph (1567 - 1643) ? |
1. Fuga ex unisono post minimam
? v. 1.00
|
? CC ? Recorder friendliness:
|
| notes Incipit | ||
|
Canon at the unison after a minim.
|
||